The made-for-TV film stars Jack Warden, Lou Diamond Phillips and Stan Shaw as three patients in a Los Angeles-area mental institution. Dressed as the Three Wise Men for a Christmas pageant, the trio is suddenly struck with the delusion that they are really their Biblical counterparts on a quest to find the Baby Jesus. As TV cameras grind away, the three ersatz Kings surreptitiously ride out of the gates of the asylum—on camels—and into the mean streets of LA. As the story draws to its conclusion, the three escapees find themselves providing a Christmas miracle (but not in the form of rap) for a group of homeless people on the outskirts of the city.

根据斯蒂芬·贝雷斯福德 （Stephen Beresford） 的新剧改编的独角戏。父与子，礼物和继承的重担，以及人际关系的难以理解的神秘之处 该剧的主人公帕特里克，在没有父亲的情况下长大。有一次，当男孩八岁时，他的爸爸突然出现，向儿子敞开心扉，然后又消失了。他只剩下一个他称之为“Three Kings”的硬币技巧。因此，长大后的帕特里克回忆起那次旧对话，并通过这种转瞬即逝的父亲形象分析了他的生活。当帕特里克八岁时，他缺席的父亲意外回来，在一次短暂但难忘的相遇中，给他带来了“Three Kings”的挑战。多年后，帕特里克追溯了他父亲的一生。

A fantasy-adventure spin on the journey of the three Magi, as they follow a mysterious star and encounter grave danger along the way.

Amy, Catherine, and Charles Fay can't wait for their Uncle Henry to arrive for Christmas. This is the first year since Mama passed away and the children are working together to fill the void and put together a Christmas play at their church. There are challenges along the way, from a runaway lamb to the stern lady who plays the church organ, but with the help of Uncle Henry's new song, 'We Three Kings,' not only is the Christmas pageant a success, but the children learn truths about Jesus and the gifts that were given to Him by the Magi.

Taye Diggs, Ne-Yo and Eric Bellinger bring holiday music -- both new and old -- to life on stage, providing a new spin on an old-fashioned Christmas.

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When the first album by the Latin Kings' was released in 1994, it created a sensation in the Swedish music world. Culture journalists claimed that The Latin Kings were the most important thing happening on the Swedish popular music scene since the birth of punk rockers of Ebba Grön.

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.